The safety of Lifeline is at risk when Albert deduces that the Candide is being watched by a Gestapo spy, while Lisa continues to resent Curtis’ presence and his domineering take-charge manner. A wounded RAF evader, Finch, finds sanctuary with Hans Van Broecken, a Dutchman who lives on a barge with his wife Lena. Finch plans to desert the army and escape to Switzerland and finds a kindred spirit in Hans, who is in fact German and deserted during the First World War. Hans plans to take Finch to Switzerland himself on the barge, but Lifeline becomes involved when Lena receives a visit from her niece – Natalie. However, helping evaders escape to comfortable Swiss internment is not Lifeline’s purpose, and how can Finch be involved with Lifeline with the Candide under German surveillance?

The citizens of Brussels are ordered to celebrate the Fuhrer’s impending birthday, and Albert and the others are suspected of being collaborators when they must hang a Nazi flag outside the Candide. Meanwhile, a man claiming to be an RAF evader approaches Catherine Bidout, an elderly English woman who has not yet been interned by the Germans. Rumours of a British woman in Brussels hiding an evader reaches the Candide and Albert decides to investigate. Madame Bidout is uneasy about the risks she is taking and contacts an old friend – Brandt – for help. However, the evader is a plant placed by Kessler to entrap Lifeline and now Brandt is also in danger.

Hoping to boost Lifeline’s flagging funds and gain some independence from London, Albert and Monique concoct a plan to sell three valuable Rubens paintings, replacing the originals with forgeries. However, Kessler is also aware of the paintings’ existence and plans to acquire them for Germany, setting out to remove them from the convent near Antwerp where they are held. Meanwhile, two American evaders, impatient with Lifeline’s security checks, decide to strike out on their own and ambush the car that Kessler is travelling in. Totally unaware of the true identity of their hostage, the Americans and their captive impose themselves on Hans and Lena Van Broecken, demanding that they are taken to Switzerland on their barge. Lifeline must not only retrieve the paintings, but also ensure that no harm comes to Kessler, as horrifying reprisals by the Germans are at stake.