An anthology of darkly comic twisted tales, each one taking place behind a door marked 'number 9'.
When death is your business, what is your life? For the Fisher family, the world outside of their family-owned funeral home continues to be at least as challenging as—and far less predictable than—the one inside.
A satirical inversion of the ideal of the perfect American nuclear family, they are an eccentric wealthy family who delight in everything grotesque and macabre, and are never really aware that people find them bizarre or frightening. In fact, they themselves are often terrified by "normal" people.
Follow the booze-fueled misadventures of three longtime pals and petty serial criminals who run scams from their Nova Scotia trailer park.
After the unexpected death of her husband, a suburban mom resorts to selling weed to support her family.
The story of a young group of siblings pretty much abandoned by their parents, surviving by their wits - and humor - on a rough Manchester council estate. Whilst they won't admit it, they need help and find it in Steve, a young middle class lad who falls for Fiona, the oldest sibling, and increasingly finds himself drawn to this unconventional and unique family. Anarchic family life seen through the eyes of an exceptionally bright fifteen year old, who struggles to come of age in the context of his belligerent father, closeted brother, psychotic sister and internet porn star neighbors.
Six years before Saul Goodman meets Walter White. We meet him when the man who will become Saul Goodman is known as Jimmy McGill, a small-time lawyer searching for his destiny, and, more immediately, hustling to make ends meet. Working alongside, and, often, against Jimmy, is “fixer” Mike Ehrmantraut. The series tracks Jimmy’s transformation into Saul Goodman, the man who puts “criminal” in “criminal lawyer".
Over the last ten years, technology has transformed almost every aspect of our lives before we've had time to stop and question it. In every home; on every desk; in every palm - a plasma screen; a monitor; a smartphone - a black mirror of our 21st Century existence.
Hank and Dean Venture, with their father Doctor Venture and faithful bodyguard Brock Samson, go on wild adventures facing megalomaniacs, zombies, and suspicious ninjas, all for the glory of adventure. Or something like that.
A group of working-class friends finding unconventional ways to win at life in northern suburbia. These lads have dealt, scammed, bribed and conned their way through adolescence, but now, on the brink of adulthood, their dealing and stealing is catching up with them and a whole load of trouble is heading their way.
A listless hitman is enthralled by theatre acting and becomes eager to leave his old life behind in pursuit of a new career.
Louis C.K. stars as a fictionalized version of himself; a comedian and newly divorced father raising his two daughters in New York City.
The misadventures of hapless cafe owner René Artois and his escapades with the Resistance in occupied France.
Follow the life and crimes of five diverse and treacherous manicurists working at the Nail Artisan of Manatee County salon, where there is a lot more going on than silk wraps and pedicures.
A bullied teenager turns to beauty pageants as a way to exact her revenge, with the help of a disgraced coach who soon realizes he's in over his head.
Ray Shoesmith is a father, ex-husband, boyfriend and best friend: tough roles to juggle in the modern age. Even harder when you’re a criminal for hire.
Drop the Dead Donkey is a situation comedy that first aired on Channel 4 in the United Kingdom between 1990 and 1998. It is set in the offices of “GlobeLink News”, a fictional TV news company. Recorded close to transmission, it made use of contemporary news events to give the programme a greater sense of realism. It was created by Andy Hamilton and Guy Jenkin. The series had an ensemble cast, making stars of Haydn Gwynne, Stephen Tompkinson and Neil Pearson.
The series began with the acquisition of GlobeLink by media mogul Sir Roysten Merchant, an allusion to either Robert Maxwell or Rupert Murdoch. Indeed, Andy Hamilton and Guy Jenkin note on their DVDs that it was fortunate for their libel lawyers that the two men shared the same initials. The series is mostly based on the on-going battle between the staff of GlobeLink, led by editor George Dent, as they try to maintain the company as a serious news organisation, and Sir Roysten’s right-hand man Gus Hedges, trying to make the show more sensationalist and suppress stories that might harm Sir Roysten’s business empire.
The show was awarded the Best Comedy Award at the 1994 BAFTA Awards. At the British Comedy Awards the show won Best New TV Comedy in 1990, Best Channel 4 Comedy in 1991, and Best Channel 4 Sitcom in 1994.
Meet Fleabag. She's not talking to all of us; she's talking to YOU. So why don't you pop your top off and come right in? A window into the mind of a dry-witted, sexual, angry, porn-watching, grief-riddled woman, trying to make sense of the world.
Everyone else sees Wilfred as just a dog, but Ryan sees a crude and somewhat surly, yet irrepressibly brave and honest Australian bloke in a cheap dog suit. While leading him through a series of comedic and existential adventures, Wilfred the dog shows Ryan the man how to overcome his fears and joyfully embrace the unpredictability and insanity of the world around him.
Two strangers are drawn to a mysterious pharmaceutical trial that will, they're assured, with no complications or side-effects whatsoever, solve all of their problems, permanently. Things do not go as planned.