比诺什在片中饰演50岁的离异教师克莱尔，她为了监视自己的情人乔，在Facebook上虚构了一个24岁漂亮黑发女生的人物身份。但是乔只接受自己认识的人的好友请求。为了能接近乔，克莱尔给他最好的朋友克里斯发了好友请求，克里斯接受了。不曾想，经过一段时间的聊天，克莱尔爱上了克里斯，克里斯也爱上了这个虚构出来的女生，他提出想见一面的要求。于是克莱尔不得不编出了一份繁忙的工作，一次长时间的出差旅行，还有一个嫉妒心很强的前任。她要么只能继续编造各种谎言来维持这份没有未来的爱情，要么就得承认自己的欺骗并做好失去爱情的准备……
A struggling actress in New York City takes a job as a phone sex operator.
《外出就餐》是美国的Q. Allan Brocka执导的喜剧电影，2004年2月14日上映。 讲述异男凯雷为了追求只爱 GAY 的女人蒂凡尼，听从他同志室友的建议假扮成同志投其所好！此举果然让关对凯雷大有感觉，没想到关还将他介绍给自己的旧爱，火力全开撮合这对同志佳偶，更令人意外的是，这位旧爱居然是他室友的梦中情人！
剧情简介 由两位80后美女阿丽·格雷勒、劳伦·米勒主演的喜剧《激情热线》首度曝光限制级预告片。两位性感美女、一条电话热线，且不说剧情如何，单单这样的设定便相当吸引眼球。影片的路线并非情色到底，故事讲述两个女孩在纽约合租，当她们为生计发愁时，开始化敌为友共同经营一条提供情色聊天的电话热线，也让她们重新理解了青春、友谊与爱情。
Erin（德鲁·巴里摩尔 Drew Barrymore 饰）和Garrett（贾斯汀·朗 Justin Long 饰）在灯红酒绿酒吧邂逅，两个青年对彼此人敞开了心胸，喝酒谈心度过了无比浪漫的美好一夜。第二天两人甚至还一块吃了早餐，火花就这样在两人中间闪现了。经过一段短暂但又甜蜜的时光，他们不得不面对一个严重的现实问题——Erin的家在旧金山，而Garrett的事业在纽约，但是他们两个都谁不愿意放弃现有的一切，更加舍不得让这段关系结束。于是，他们凭借着手机和各式通信工具开始了一场“远距离的恋爱”。
而最后他们的工作跟感情不能兼顾？是否又会为了对方放下一切来成全这一段感情？ ©豆瓣
When 13-year-old Tommy loses his parents to a drug raid, he turns to a phone sex operator (his fairy godmother) for help as he embarks on an urban odyssey to escape foster care with his two best friends.
一名戴著小丑面具的變態殺手，將目標鎖定電話性愛公司，對美麗的女孩們進行恐怖謀殺...
本片抒情的讲述了一个13岁的少年面对青春期，面对爱，梦想，学校，以及面对性的发现和心理……
When bisexual porn star Valentino meets new-in-town hustler Gary, there is an immediate attraction between the two. Valentino helps get Gary a job at a phone-sex company, and they become fast friends and lovers, but tension threatens their relationship when Gary and Valentino's friend Mary becomes involved. When Valentino finds out he is dying and Mary is going to have his child, the three must work through hard times together.
随哥哥生活在德国的土耳其穷小子埃尔维兹把妈妈的房子抵押给了自己的财迷叔叔。为了赎回房子，他与朋友开了一家性热线公司。然而，自己暗恋的安娜却为了生计加入了他的公司。听到心爱的女人在电话里跟别人亲热，埃尔维兹心里不是滋味。没成想经常给安娜打性热线的正是那位财迷叔叔。借此机会埃尔维兹不但从叔叔那里赎回了房子，而且拥有了自己的企业，也博得了安娜的芳心...
A cop tracks down a serial killer who goes after women who work for a phone-sex company.
Celebrities and artists discuss the meaning of "What is sexy?" with award-winning director and artist Steve Balderson.
'For the Love of God' is the wickedly irreverent tale of Graham (Coogan); an over-grown man-child still living at home under the suffocating glare of his elderly Mother, in her dusty and forgotten Christian bookshop. Graham has a terrible secret - an unholy fantasy - which only he and his Mother's pet Jackdaw (McKellen) know about. Spurred on by the sinister bird and the possibility of consummating his perverse desire, will Graham do the deed before his Mother uncovers the awful truth?
The movie, adapted from Robert Chesley's homoerotic play of the same title, revolves around two men who started out as phone sex buddies who grew on each other through time. The fragility of this kind of relationship is put to fore when Bert (Tom Wagner) got sick and couldn't return his calls. J.R. was left with nothing to hold on to but blank hope. No warning. No goodbye. Bert is gone.
An experimental film interpreting direct language used by a couple in real life trying to have phone sex for the first time.
A young man confesses his sexual past to an unseen phone sex operator. He reflects on his sexual identity as we follow him on a solitary excursion to a beach.
在一条荒凉的道路上，一辆窗户上写着“救命”的被废弃的校车停在路边，路过的Maria决定停下来前去检查一下。而一个杀手已经发现Maria，正打算返回这个曾经是鲜血淋漓的犯罪现场。而这个杀手真的是她的敌人吗？还是只是某个人？或者有其他原因？
A policeman guards a barroom singer whose phone-sex sideline has put a killer on her trail.
A young phone sex operator named Al's career takes a strange turn as her more unpleasant clients begin dying under mysterious circumstances after speaking with her. Al is left with sudden, intense headaches after each incident, the likes of which she has never experienced before. Is this coincidence, or is she somehow causing these deaths? Al attempts to keep her grip on reality and enlists her best friend investigate--battling violent ex boyfriends and the horror of the service industry along the way
Sarah, 30, single, well educated, likes art, places a voice ad for phone sex, inviting replies from men under 35, sturdy and sensual. Wilbert, a chubby middle aged architect, leaves a message that he is Thomas, 32 and well formed. A week later, she phones. She likes his voice, he likes her laugh, so once a week she phones him (he's not to know her last name, where she lives, or her number). Portraits emerge of humor and sadness. He presses for details of her life and tells her about his work; she wants these Thursday calls to be fantasy and release, separate from the rest of who she is. The film dramatizes these tensions of lies and truth, connection and distance. Written by