Ein Fernsehteam macht sich auf, um im brasilianischen Urwald eine Dokumentation über die letzten Kannibalen zu drehen. Als nach 2 Monaten jegliche Lebenszeichen von ihnen ausbleiben, wird ein zweites Team in den Wald geschickt, um die Vermissten zu finden. Dies geschieht auch - allerdings ist alles, was man von den jungen Leuten noch findet, ihre von Maden und Käfern bewohnten Skelette. Immerhin ihr Filmmaterial findet den Weg zurück in die Heimat und wird zwecks einer TV-Ausstrahlung ausgewertet. Nun kommt die ganze schreckliche Wahrheit ans Licht: Um gute Bilder zu bekommen, haben die skrupellosen Reporter die Naturvölker gequält, mißbraucht und geschändet. Klar, dass diese sich dafür rächen wollten..

Rome, 1990. The night Italy's national football team is eliminated from the World Cup by Argentina on penalty kicks, a well-known film producer is found dead in the Tiber river. The main suspects for the murder are three young aspiring screenwriters, who–promptly taken to the police–start to tell their version of the story.

Wally Sparks is a tabloid TV show reporter who's trying to boost ratings on his show. He goes to the governor's mansion to uncover a sex scandal.

Ein junger Engländer kommt nach Los Angeles und lernt dort das Totengeschäft und das Bestattungswesen kennen. Er wird schließlich selbst Angestellter eines großen Beerdigungsinstituts in Hollywood, das, als sich die traditionelle Bestattungsform geschäftlich nicht mehr lohnt, die Toten durch Raketen in den Weltraum schießen läßt.

Fai, a talented actor who has won the Best New Artist of the Hong Kong Film Awards and always plays leading roles in television, is an arrogant guy who does not cherish the opportunities given to him. As he keeps on criticizing his co-workers, his career and popularity gradually deteriorates. He is not offered leading roles anymore and has to take the parts of villains and rapists. Finally, he has even lost his job at the TV station. Fai becomes extremely depressed, but a twist of fate makes him become an agent for extras. As Fai gives pointers to a young girl named Fei, who truly loves acting, he regains his own enthusiasm towards acting and life.

Revered French actor Gérard Depardieu, featured in over 170 film and television projects, has, in recent years, been disgraced. Countless allegations of sexual assault and abuse have brought this titan under fire.

"Ist das Kino eine Sprache, die verloren geht, eine Kunst, die sterben wird?": Diese Frage stellte Wim Wenders 1982 in Zimmer 666 sechzehn seiner Regiekollegen. Vierzig Jahre später, im Jahr 2022, verwendet Lubna Playoust denselben Aufbau, um 30 zeitgenössischen Filmemachern, die auf dem Festival von Cannes sind, dieselbe Frage zu stellen: von Wim Wenders selbst bis James Gray, von Rebecca Zlotowski über Claire Denis, Olivier Assayas, Nadav Lapid oder Asghar Farhadi bis Alice Rohrwacher.

Classic film star and queer icon Montgomery Clift’s legacy has long been a story of tragedy and self-destruction. But when his nephew dives into the family archives, a much more complicated picture emerges.

Lewis Tater writes Wild West dime novels and dreams of actually becoming a cowboy. When he goes west to find his dream he finds himself in possession of the loot box of two crooks who tried to rob him.

Whilst documenting his life as a lowly intern, James Parker (James Powell) uncovers the long forgotten film, The Street Walker. Desperate to make a mark on the film industry and to prove his ever-doubting parents wrong, James endeavours to complete the unfinished horror movie, resulting in a murderous obsession.

Zwei griechische Filmemacher, die sich mit Gelegenheitsarbeiten über Wasser halten, wollen endlich ihren eigenen Film realisieren, können sich aber wegen weltanschaulicher, politischer und ästhetischer Differenzen nicht auf ein gemeinsames Konzept einigen. Etwas zerfahrene Komödie, die neben kulturellen und sozialen Anspielungen ihren Reiz aus dem Spiel mit Klischees und Versatzstücken diverser Kinogenres bezieht; bei aller Ehrlichkeit regt sie jedoch nur bedingt zur Reflexion über Kunst und Kommerz, Aufklärung und Unterhaltung an.

A successful young writer is in search of his true destiny. Is it the life with his wife and typewriter in Amsterdam or the offers to go to the dreamworld of the Italian film city Cinecittà which is luring him? Trying to find this out he goes into retreat in the house of a befriended gay couple in the south of France.

A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.

Underemployed and reeling from a recent miscarriage, a comedy writer's life is getting less funny by the minute. When she lands a meeting that could turn it all around she has to choose: tell the truth or go for the laugh? A poignant comedy based on a true story.

After young film writer Leo has his latest screenplay rejected he retreats to his summer home on an island, on his way he meets the flight attendant Virgo and a romance soon blossoms.

A disgruntled film production assistant seeks advice from a young, eccentric producer with sadistic tendencies.

Sleazy director "auditioning" actresses for a movie and trying to get them to commit to more to get the part.

Two straight actors must rehearse for an impending gay love scene. How will they make out?

The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.