A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.

In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.

A daring physicist travels into the past to stop a mysterious woman from stealing his invention. But once there, he uncovers a surprising truth about the machine, the woman, and his own fractured reality.

Thevan, a folk singer of the Paanan caste, has a fateful encounter when escaping slavery, leading to discover an ancient tradition altering his destiny.

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.

After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.

In this experimental short film, a young man and woman enter into a relationship with one another and quickly learn the ups and downs of intertwining their life with the one they love.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.

Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.

A single static wide shot of the Empire State Building from early evening until nearly 3 am the next day.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

A man blows balloons until they burst and thus expresses his accumulated aggression.

To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used:

Notorious (1946)

Gaslight (1944)

The film takes a look at seven different twilight zones between the physical and virtual. We cannot escape from the grid but can we bend it from the inside?

An experimental short film about becoming lost in the hypnotic pull of the city, set to music.