Video Tour Montreal presents the summarized visit of the great city of Montréal all the way from district life to major touristic attractions such as St-Joseph Oratory, Mount-Royal, Old Montreal, Notre-Dame Church, Underground City, Downtown, Botanical Garden and Olympic Stadium. Video-Tour Montreal as excellent souvenir of the sights and sounds of exciting Montreal.
Vintage Queer Montreal: A glimpse into the 90s. Working though the 90s, House of Pride brought Montreal LGBTQ+ people together in the celebration of diversity.
Montréal-Nord is one of those areas we euphemistically call “disadvantaged.” A place where drugs, poverty, delinquency, suicide and all kinds of dysfunction are depressingly commonplace. This is where the late Magnus Isacsson decided to film 18 months in the lives of four young men aged 17 to 22: Danny, Alex, Mickerson and Michael. Music is central to all of their lives. More than just a pastime, hip-hop is their outlet for coping with their demons. With the help of their teacher, mentor and friend Don Karnage, and driven by a fierce desire to overcome hardship, they learn to be adults. Winner of the award for Best Canadian Feature Film at the most recent Montreal International Documentary Festival, Ma vie réelle is an exceptionally astute document in which listening and generosity gain the power to defeat misery.
Prestigious guitarist Stanley Jordan is well-known for his exclusive use of the guitar: His 10 fingers run along the neck of the instrument, creating special sound effects similar to those created by a keyboard. This video filmed at the XI Montreal International Jazz Festival presents Jordan's spectacular guitar solos, confirming his immense talent (as if any confirmation were necessary!).
For the past 4 years a devout Catholic Andre Levesque has been performing dance shows inside the trains of Montreal's underground metro. Using old school pop and rock music hits as the accompaniment to his amateur dances, he devotes his performances to Jesus Christ and Virgin Mary.
This short film served as an invitation to the World's Fair that was held in Montreal in 1967. It was largely considered to be the most successful World's Fair of the 20th century with over 50 million visitors. The film presents impressions of the event and of Montreal at its liveliest and most exciting moment in history.
Hector and Camille live a routine life in Montreal. Their life will be turned upside down when a strange bomb explodes over the city. They realize a couple of days later than no one in the city has managed to sleep since the incident.
On March 15, 2020, Montreal sees appearing on a wall, written in black letters on white paper "Stop feminicides". It is at this moment that the Collages Feminicides Montreal collective sees the light for the first time. Now the streets of the city are carpeted with their words. Today, after the 17th feminicide, they will continue to fight and stick, until this violence stops.
Young Chinese-Canadian Susan Yee gives a tour of Montreal.
In 1994, the Montreal Expos held the best record in baseball until the mid-August strike and the entire post-season was cancelled. The team never found success again, and in 2004, the franchise was forced to leave Montreal and move to Washington. This film provides access to powerful behind-the-scenes footage – ranging from the players’ bus ride to the stadium, to their emotional reactions stepping onto the field, to the Montreal fans who have never forgotten baseball’s best team in 1994. Interviews with media who followed the team’s season and discussions with former coaches and players will paint both a thrilling and heartbreaking picture of the influential ‘94 Montreal Expos – a groundbreaking squad whose legacy lives on in Montreal
Roach and Starbuck, two hardcore punks from Montreal, try to form their own political party, but run out of time due to Canada's electoral process. Instead, they decide to campaign for political office as independent candidates in a rich Montreal district called Outremont.
The story behind the technical prowess deployed to light up the Jacques-Cartier Bridge.
Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.
This short film introduces us to the "automatistes," followers of an abstract art form that developed in Montreal. The movement, initiated by Paul-Émile Borduas, is explained by the artists themselves when narrator Bruce Ruddick drops in at their cooperative studio. The film also captures painter Paterson Ewen at his home and joins the crowd at L'Échouerie, the artists' rendezvous spot. Dr. Robert Hubbard, chief curator of the National Gallery of Canada, comments on non-objective art in general and automatism in particular.
