Feeling unfair about the power's portrayal of all its opponents, at the dawn of the '68 protests a young man decided to become a photographer to set things right. "Taking a good picture is a great act of faith". Tano D'Amico thus began a journey that would lead him to be at the forefront of the social battles of the 1970s: the birth of new movements, "the appearance on the threshold of history of a people who had never entered history", the hopes, illusions and betrayals. Tano still continues to photograph workers, the homeless, migrants, the last people and all those who take protest to the streets.
The life and work of American photographer Harold Feinstein, whose work garnered critical and commercial success. In his 2015 obituary the New York Times declared him “one of the most accomplished recorders of the American experience.” Howard Greenberg says Feinstein “ occupies high ground in the pantheon of street photography” yet, most people, have never heard of him. A prodigious talent, Feinstein photographed life in all its forms, when and where he wished. Whether this was as a draftee in the Korean War, in a Bebop infused Manhattan loft or rural hippy enclave in upstate NY, Harold’s 35mm black and white photographs captured the essence of life with a with a uniquely humanist eye. The re-discovery of Feinstein’s vast and diverse body of work came in his final years and the film meets him then; in his early 80s and with a zen-like appreciation for the life he lived.
Documentary about the director's father and his passion for photography.
83-year-old Héctor García, a renowned photographer, has devoted over 60 years to capturing transcendental moments of Mexico, but especially the day-to-day life of the city he lives in, mostly photographing poverty and marginality. Half a century later, this documentary accompanies photographers Héctor and María García along the center of the city with the purpose of carrying out a tribute and a challenge: to film Mexico D.F. following in the footsteps of García's aesthetics.
Members of the photographic convention carrying tripods and cameras file past a waiting room on the deck of the Clyde steamer “Lady Rowena”. Members of party include Craig Annan, Mr. Harold Baker, Mrs. W. Baker and Mrs. Ralph Robinson.
Family problems, if not resolved, repeat themselves. This leads Misha, a young photographer, to question his own family's history only to understand that memory has multiple facades.
A photographer gets more than he bargained for when he makes an unwelcome sexual advance towards a timid young model. The tables are turned when his camera captures a dark piece of her soul.
A boy enters an artist's workshop, eager to find out what that encounter might bring him...
A young photographer doesn't know it, but he is about to take one of the worlds beloved photos. During the course of the evening, two people find love encapsulated in a moment. But love like this was never meant to be, unless it is captured forever in time.
A photographer from the criminal forensics department, Arystarkh, dreams of building a career as a professional art photographer.
A poetic and intimate look at the life and work of photographer Luis Humberto.
Photographer visits his annual shooting ground to capture the cityscape until a barking in the distance disturbs his peace.
This film follows the renowned photographer Fay Godwin on location with her camera complete with extensive interviews and analysis. She loved the countryside in all its raw beauty rather than the sugar-coated image so often portrayed in the coffee table books of the time.
Audiovisual experiment, on the role of photography and its authors, during the last civic-military dictatorship in Argentina. A documentary that makes clear the complicity of the hegemonic media with the military government and the fundamental role played by the militants, in this case photographers, to document what was really happening in Argentina during the period 1976/1983.
A neo-noir tale of photography and murder. On the verge of fame, Damien Drake abruptly quits his dark photography dubbed, The Death Series. As Damien tries to forget his past, John Godewynn, the biggest fan of the Death Series, emerges hellbent on re-sparking Damien's creativity. John's push quickly spirals into chaos and murder, exposing the shocking secret that led to Damien's self-exile.
Karl Dieter Gartelmann, a German photographer and filmmaker, arrived in Ecuador in the seventies, in the midst of the oil boom, with an old 16mm Bolex video camera, and began a journey through the Ecuadorian jungle, collecting the visual testimony of a life that is dying. This documentary brings together the director's permanent concerns: culture and nature wasted by extractivism. A conversation between two directors about the creation of memory through cinema.
A photographer, a championship, a passion. Black and white documentary that synthesizes, through sounds and images, the trajectory of Zanata, a man who dedicates his life to recording moments of football games. The narrative consists of fragments in which the character photographs games from a championship in the countryside in the interior of Bahia.
The best known, "Weegee's New York" (1948), presents a surprisingly lyrical view of the city without a hint of crime or murder. Already this film gives evidence, here very restrained, of Weegee's interest in technical tricks: blur, speeded up or slowed-down film, a lens that makes the city's streets curve as if cars are driving over a rainbow. - The New York Times
Lotte (18) and Roos (16) are sisters and both have Usher syndrome. That means they will soon become deaf and blind. It is not known how fast that will go, but they already see and hear a lot worse than their peers. How do these two high-spirited girls deal with their development into adulthood, while the time bomb of deafness and blindness ticks inexorably? They are not deterred from getting the most out of life: Lotte is studying to become a photographer and Roos is passing her final exams. At the same time, they also want to do a few things before it is too late, such as seeing the Northern Lights with their own eyes. Director Kim Smeekes followed Lotte and Roos for the film for two years.