ode to the director and to the untold times where she wanted to live and be immersed in the beauteous plots of her favorite books and films. Filled with insatiable hunger (just like the caterpillar) for experiencing her beloved scenes
An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.
A student is about to move on to the next phase of his life when an incident draws him into the unknown.
"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.
In 'Give Time its Due,' Beatriz seeks solace in therapy for her loneliness and pain after a loss. In this journey of self-acceptance and healing, she discovers the power of expression and human connection.
In this short film, a mysterious character goes on a journey to the back of his mind on the night of his birthday.
Identities attempts to describe the importance of silence in communication, of those moments when someone is making up or remembering what he is going to say. A silence that compels us to question the maxim "silence is death".
An old woman attends classes of digital photography and editing. It is not a late hobby, but a project undertaken with a clear aim in mind. Ragnhild Borgomanero wants to be able to preserve the memory of her deceased husband Guido, the biggest private collector of fossils in Latin America.
Vila das Torres was a self-built community based on one of the largest urban gardens in Rio de Janeiro, below the energy towers of the Light Company and next to the train lines. Eight years after its removal for the construction of Parque Madureira, former residents report their memories.
Life is like a movie. Whether it's short or long, it begins somewhere and ends unexpectedly somewhere else. We ought to watch it all involuntarily.
a film about memories & showering.
Buck Southworth's life as an Air Force aircrewman narrated by his wife, Priscilla Southworth, now a volunteer at Cape Canaveral National Cemetery, she tells a story about her husband, bravery, dedication to the mission and love.
Engaging themes of love and betrayal, hope, belonging and place, Glad You’re Here documents my nineteen--year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.
From HBO's "America Undercover." On June 30, 1969, Lt. Jack Hulme was killed in Vietnam, having never met his newborn son. Thirty years later, filmmaker John Hulme finally seeks out what happened to his father, and who he really was. From family members and childhood friends to the soldiers who fought beside him, John tracks down everyone, chasing his fathers ghost across the country. What he discovers is a life that mirrored a generations struggles...husbands vs. wives, soldiers vs. protestors, America vs. Vietnam. But he also finds wounds that are painfully fresh, especially his mothers. Together, using the accounts of first-hand witnesses, they travel back to Vietnam, to the place where Jack spent the last few moments of his life so they can finally come to terms with his death.
Karl Dieter Gartelmann, a German photographer and filmmaker, arrived in Ecuador in the seventies, in the midst of the oil boom, with an old 16mm Bolex video camera, and began a journey through the Ecuadorian jungle, collecting the visual testimony of a life that is dying. This documentary brings together the director's permanent concerns: culture and nature wasted by extractivism. A conversation between two directors about the creation of memory through cinema.
The story of a young Kurdish man who tries to remember his past traumatic experiences. A young migrant struggles to remember the memories of post-2015 Turkey while faced with the commemoration practices of the Holocaust. The film takes place in present-day Krakow, Poland, particularly in the former Nazi concentration camp in Plaszow.