Loulou is 13 years old. He returns from his training and finds the house empty. He enters his parents’ bedroom and opens his mother’s cupboards...
Based on the stage musical of the same name, this is the tale of a princess who grew up loving fairy tales and finds herself thrust into one where she encounters numerous obstacles, enemies, and allies in his quest to be reunited with her true love.
A general is instructed to impersonate Song Yuan and infiltrate the Shen household to intercept military intelligence. In order to do this, she must ask the daughter of the Shens' hand in marriage.
Selfhood follows 5 individuals and the difference between their sense of self compared to how they present theirselves to the outside world.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes. ‘Movie-fan princess' Connie Chan Po-chu not only sings Cantonese song and huangmei tone solos in the film, she also wows the audience by taking up the doumadanrole for the first time as the Tang dynasty female general Fan Lei-fa, showing off her superb operatic martial skills, together with Shum Chi-wah, inherited from Peking opera master Fen Ju Hua. Yu Kai's weaponry prowess and renowned female comedian Tam Lan-hing cross-dressing as a male general are also brilliant in this gem.
The film is about the love story between Murat and Selma. Murat is a masseur loved by his clients. Her biggest goal in life is to make her daughter Ebru happy. One day, he is assigned to the physical therapy of Abbas, one of the bosses of the underworld. He meets Selma, Abbas' daughter. The two, who did not get along at first, fall in love with each other over time. But the struggle between Abbas and his rival Kamil irreversibly affects Murat and those around him.
Fadik is a street singer working with her three musician friends. They are homeless. As she sleeps on a deck of a boat, Erol finds her. He is the boat's owner yet she believes he is its captain. She runs into a gang and their bags get exchanged, she finds a fortune in her bag now. The money belongs to Erol, his friend Faruk robbed his factory. Fadik takes Erol as her servant, she doesn't know he is rich. Faruk's men kidnap the three musicians, Erol and Fadik meet, the police catches Faruk though he puts the blame on Fadik. In the trial the truth is revealed. In the end, Erol and Fadik start a happy new life so do the three musicians.
A young woman must pretend to be a man to visit her grandfather, and gets into some romantic scrapes in the process.
Forced by the parents to be married, a young couple in Paris discover things about themselves as they mature through their romance together.
Alma, petrified, does not know how to react when her son, age 8, wants to dress as a fairy and go to school. She asks advice from her neighbor, and eventually the entire building debates his right to behave cross-gender.
A girl posing as a knight's male valet is vamped by his fiancée
Low budget softcore farce where two men cross-dress to go into a women's prison.
A call from an ex-lover threatens to rekindles memories from a time far gone by for D - a lonely cross-dresser trying to come to terms with her new image.
Reinhold Schünzel plays the rigid representative Traugott Bellmann, who publicly condemns the low morals of the night life. Although Belmann's stance is supported by his wife, he is strongly opposed by his father-in-law, a champagne manufacturer. But when he inherits 500 000 Marks in cash and the infamous nightclub "Der Himmel auf Erden" ("Heaven on Earth") from his deceased brother, Bellmann really gets himself into trouble: In order to fulfil his brother's will - and to get hold of the money - , he has to be at the club every night at 9 pm.
A set of seven portraits consisting of personal accounts from the lives of gays and lesbians. The narration includes stories about coming out, bashing, cross-dressing and AIDS.
A very old lady has lost her way in a city and a distinguished gentleman decides to follow her home.
Lillian dresses as a man to gain access to a boy's school. (from Performing Queer Female Identity on Screen: A Critical Analysis of Five Recent Films)
A young woman poses as a boy to ingratiate herself better with her strict aristocratic grandfather and to get him to better accept the new freer ways of the younger generation.
A Robust Romeo is a 1914 movie starring Roscoe Arbuckle and Emma Bell Clifton.