A radical series of images from Karl Ring.

A young woman in a traditional man’s world discovers unexpected ancestors. A mix of performance video and wryly bemused tale of self-empowerment.

Can you hear my screams of oppression?

The story of 5 proletariat who strived for their life.

During the pandemic, Dave McKenzie came upon an object in his studio, located in the basement of his house, that he had bought some time ago. Its purpose was to collect sawdust, although he had never used it. He began trying to fit himself into it, eventually creating and recording loosely improvised movement studies with this object—an accessory to a table saw—and others, including a pane of glass and a piece of Ikea furniture. He has explained, “I was thinking about writing and performing, and why in the year 2020 I felt the need to make a box that I could stick my head into and cry.” In his art, McKenzie is more interested in asking questions than in providing answers. As he has put it: “I am always decidedly asking ‘Why this?’ Lately I am equally interested in asking ‘Why not?’ and moving without having come up with any answer.”

A brief noise piece.

A man listens to the radio during a drive around town.

A boy postpones his resignation when he is offered a promotion. As a result, his own reality conspires against him, confronting him with his fears and anxieties.

An experimental attempt that examines the four corners of the inner zoned quarantine world to question a person.

A seemingly mundane evening in suburbia is disrupted by an unforeseen event.

Children play amidst cycles of thunder and violence.

Caribou is an 11 minute science fiction experimental portrait of Saskatchewan. Structurally it is a journey from the forests of northern Saskatchewan to the Badlands in the south. It is the final part in a series of North American landscape films and videos that I have been shooting for the past few years. Caribou is essentially a video about mortality, death, decay, notions of beauty, and a respect for the natural world. It is grounded in the detail of our surroundings, and the beauty that resonates from these hidden places.

Set to a score by Mauricio Pauly (The Threshing Floor), multiple microphones, choreographic sequences, scores, and projected images, we are enveloped into a multimodal experience of two bodies in space.

A stop motion animation finds beauty, abstraction and movement in static electronic circuitry.

The Earth will swallow you whole.

A film about endless processes. Images reappearing. New sentences being written.