While standing in the doorway of the video shop where he works, Bazil is inadvertently shot in the head. Now homeless and jobless, he is taken in by a troupe of misfits who live in a giant mound of trash. There Bazil begins his quest for revenge against the people who produced the gun that shot him.
A woman wearing a light-colored leotard, gathered at the waist, and tights stands against a black background. Although she is filmed in a long shot, her feet are cut off in the frame. She opens with a flourish of her arms and faces the camera. First stretching up with her arms, Latina then bends in half at the waist, steps into a metal ring or hoop, and places her head in the ring as well.
The Vatican Exorcisms was shot by Joe Marino, an American film-maker who went to Italy to shed light on the phenomenon of exorcisms. Accompanied by Padre Luigi, a true exorcist, Joe travels to the south of Italy, a place where the sacred and profane have always lived together, where Christian rituals are inextricably linked to the pagan ones.
Luis Martinetti, a contortionist suspended from acrobatic flying rings, contorts himself for about thirty seconds. This is one of the first films made for Edison's kinetoscopes.
A suitcase explores Vienna's suburbia and finds giant soap bubbles. It befriends the soap bubble girl. They create a show together and have a suitcase-child.
Red-tinted 9,5 mm Baby-Pathé version (1923) of a devilish contortionist short starring Fred Sato (1910/1911).