During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”
Sean McAllister's bleak, extraordinarily intimate film offers an insight into the lives of 35 year old Kevin, who hasn't worked in 18 years, and his 19 year old girlfriend Robbie, who earns 70 pounds a week as a seamstress.
Torre David, a 45-story office tower in Caracas, was almost complete when it was abandoned following the death of its developer and collapse of the Venezuelan economy. Today, it is the improvised home of more than 750 families, living in an extra-legal occupation that some call a vertical slum.
Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.
Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.
The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.
"The Voice of Innocence" is a documentary that shows how, starting in 1959, the Cuban Revolution put into practice a comprehensive and universal policy of safeguarding the rights of the child, even under the multiple difficulties resulting from the economic, commercial and financial blockade imposed by the United States more than six decades ago. Cuba is one of the main signatories of the Convention on the Rights of the Child, signed on 20 November 1989, when the country had already made extraordinary progress in protecting the rights of the child, in comparison to developed countries, such as the United States, which as of today hasn't yet ratified the Convention.
The history of Camp Kinderland, founded in the 1920s to provide Jewish children an escape from the hot New York City summers.
The portrait of the former news editor of STV, who created a "positive image of Slovakia" during the reign of Vladimír Mečiar, reveals how the post-totalitarian mechanisms of television manipulation worked.
Climate change is among the world’s greatest challenges. As a small Caribbean island, Cuba is disproportionately affected by climate change through extreme weather events. Up to 10% of Cuban territory could be submerged by the end of the century, wiping out coastal towns, polluting water supplies, destroying agricultural lands and forcing one million people to relocate. Finding solutions is now essential. In this documentary, Dr Helen Yaffe goes to Cuba to find out about ‘Tarea Vida’ (Life Task), a long-term state plan to protect the population, environment and the economy from climate change. The Cuban approach combines environmental science, natural solutions and community participation in strategies for adaptation and mitigation. Produced by DaniFilms with Dr Helen Yaffe from the University of Glasgow for the COP26 conference in Glasgow.
Alessandro is a young immigrant of Italian origin, with a difficult past, who, after leaving his country of origin and moving permanently to Italy, finds himself in a complex existential dilemma when he is unable to converse with Pietro, his boyfriend, who has a vision of the world completely different from his. Thus a clash of different realities starts that can ruin everything. "Floating In The Liquid" is the first part of the "Trilogy of Work", written and directed by Vinicius Bellemo.
The isolated, hermit kingdom of the DPRK is shrouded in secrecy, It's nearly impossible to get any reliable information from behind the bamboo curtain. Nonetheless, every week, on T.V. and online, we are bombarded by the bizarre media-spectacle of North Korea. From nuclear apocalypse and prison camps to banned sarcasm and compulsory identical haircuts - any shred of information regarding North Korea becomes a viral media hit, regardless of how dubious the story is. But that's all about to change. Two Aussie boys decided to take matters into their own hands and go to North Korea to find out the truth for themselves. Join us as we look past the click-bait and unpack the forces behind the way our media represents the "Democratic People's Republic of North Korea".
The early struggles of the working class are placed under a microscope in Plutocracy III: Class War, the latest chapter in an exceptionally well produced series which explores the origins of America's growing economic divide.
No system don't allow to person to do work which loves, knows and finally to achieve succes in the world. If we will try along our life to follow rules of system we people neither can be happy nor to achieve succes.
Documentary about the merging of the Communist Party of Germany and the Socialist Unity Party of Germany in the Soviet occupation zone, a merger that would lead to the creation of the Socialist Unity Party that would rule the soon-to-be-created East Germany until 1989.
Frontline examines Venezuelan president Hugo Chávez chronicling his rise to power and offering insights into his personality, policies and his shrewd use of the media.
Biographical sketch of the heroic guerrilla on the tenth anniversary of his death, made from the evocations of the homonymous poem written by Nicolás Guillén.
Three Croatian activists struggle to change the world. As children, they lived through the violent collapse of Yugoslavia. But now, amid the aftershocks of socialism's failure, they fight in their own way for a new leftism. In the middle of the struggle, a skeptical American is won over by their cause and even goes to jail with them. The activists, whether clashing with police or squatting in an old factory, risk everything to live their politics. But as the setbacks mount, will they give up the fight?
The film, shot during years of fieldwork with a Croatian anarchist collective, applies EnMasseFilm's unique blend of observation, direct participation and critical reflection to this misunderstood political movement. Its portrayal of activism is both empathetic and unflinching -- an engaged, elegant meditation on the struggle to re-imagine leftist politics and the power of a country's youth.
A re-enactment of the Jules Durand case. “In 1910 [leader of the French socialist movement Jean] Jaurès took the lead in defending a working-class coal miner, Jules Durand, accused of complicity in and condemned to death for the murder of a labor leader. As in the Dreyfus Affair, a false dossier had been used to convict Durand. Jaurès proclaimed it was the memory of the Dreyfus Affair that saved Durand. The case was the Dreyfus Affair of the working class.” (http://www.americanthinker.com/articles/2014/03/french_profiles_in_courage.html)
In the period 1891-1927, Henriette Roland Holst goes through a dramatic development. As an aspiring poet from an affluent bourgeois milieu she throws herself, full with idealism and conviction, into the labour movement. Within the various socialistic parties however, a fierce battle on direction takes place, wherein Henriette has trouble finding her place. After returning disillusioned from a trip to the Soviet Union, she does not feel at home in any leftist party. Later she will recollect on this period in her biography "Het vuur brandde voort" (translation: "The fire rages on"). The film reconstructs this period with the use of old film material combined with texts by Henriette Roland Holst herself: fragments from letters, poems, speeches and books, sparingly supplemented with personal commentary by the filmmaker.