인도의 왕비 시타는 그녀의 사랑하는 군주이자 남편인 라마와 별거의 삶을 살았던 여인이다. 한편, 애니메이터인 니나의 남편은 일 때문에 인도로 이주한 후 곧 그녀에게 이메일을 통해 이별을 통보한다. <블루스를 부르는 시타>는 인도의 서사시 ‘라마야나’를 아름답게 재해석한 작품으로 3명의 유쾌한 그림자 인형이 등장해 고대의 비극와 현대의 희극을 동시에 들려준다. 독특한 화풍과 동서양의 음악이 잘 버무려진 뮤지컬 애니메이션으로 1920년대에 활동했던 재즈 보컬 아넷 핸쇼의 노래 속에 역사상 가장 유명했던 이별이야기가 펼쳐진다.

While coming to terms with his dad's recent passing in a tractor accident, 13-year-old George McCray is living with his grandparents on their Kansas farm. George misses his mom, Jill, who has moved to Minnesota to deal with her grief, but there is the promise of their reunion at Christmas. George feels needed on the farm as he helps his grateful grandfather Bo with daily chores and comforts his grandmother Cora. He has also made friends with Mary Ann and became attached to Tucker, the smart and friendly dog the McCrays take in when his troubled owner Frank Thorne lands in jail.

Sweethearts Jimmie Carter and Bessie Barnes work for Adolph Brock at the Acme Corporation. One day while he is out for a drive in his jalopy of a car, Jimmie spies a pretty young woman on horseback. He comes to her rescue after she falls off her horse and gets injured, he leading her to refuge in an abandoned cabin when it starts to rain heavily. Although she flirts with him, he, in turn attracted to her, wants to remain faithful to Bessie and resists his urges. When this woman mysteriously disappear on him, he can't stop thinking about her and follows her innuendo to meet with her at her apartment. All the while, he is unaware that she is Peggy Joyce, Brock's gold-digging fiancée. He is also unaware that Peggy has ulterior motives for coming on to him, which, in combination with her dangerous past, could lead to complications for all involved.

The ten minutes short film takes its inspiration from a real letter (from the collection “Lettere di condannati a morte della Resistenza italiana”) written during World War II’s Nazi-Fascist regime by Romolo Iacopini, a captured and life sentenced partisan by the German SS squadrons, to his mother Maria. Protagonist of the film, the woman in the fictional story takes on the task entrusted by the son in the heartfelt real letter: collecting the man’s wallet, held at a police department, and watch, left to a priest. Shaken by her loss, the woman is now deprived of the thing she holds most dear, but slowly realises it is somehow still living...