This film explores freedom of speech in the United States of America

Although the free jazz movement of the 1960s and '70s was much maligned in some jazz circles, its pioneers - brilliant talents like Ornette Coleman, Cecil Taylor, Sun Ra, Albert Ayler, and John Coltrane - are today acknowledged as central to the evolution of jazz as America's most innovative art form. FIRE MUSIC showcases the architects of a movement whose radical brand of improvisation pushed harmonic and rhythmic boundaries, and produced landmark albums like Coleman's Free Jazz: A Collective Inspiration and Coltrane's Ascension. A rich trove of archival footage conjures the 1960s jazz scene along with incisive reflections by critic Gary Giddins and a number of the movement's key players.

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

An experimental music ensemble is recording an album. They want a very specific sound: the sound of thick air. The sound engineer struggles to understand and to find that sound. A tale of sleepless nights and loud music, a noise-injected collage composed of diaristic footage, a found narrative (memories of a popular 60s band), original music and field recordings.

Live archive release from the Jazz legend. Thelonious Monk Paris 1969 is a fascinating and important late-career document of the legendary Jazz pianist and composer in performance with his Quartet at the Salle Pleyel concert hall in Paris, France on December 15, 1969. The concert also featured a surprise guest appearance from renowned drummer Philly Joe Jones. Filmed in Black & White.

How do you become Peter Brötzmann? How do you become what you are: a painter, a musician, an absolute artist? Europe was nothing but a ruin and shame possessed the heart of the young Germans. They needed to invent, scream, regain a lost brotherhood. Overcome this silence! That’s how some young German, British, Dutch, Belgian… musicians made Europe exist long before Maastrich and have kept on cherishing, imperturbably, their freedom! They are no longer twenty-year-olds, but others have followed. They set themselves one constraint: reinvent everything every time. A way to take the very instant into account, to let the unexpected in, to match to the world.

When two buskers find themselves situated on the same busy street corner, a musical battle ensues when the musicians realise that the lively city isn't big enough for the both of them

Filmed in and around percussionist Milford Grave’s last public concert in his neighborhood of Jamaica, Queens.

In this short film from 1967, filmmaker Henry English attempts to place a context around saxophonist and composer Marion Brown’s flurries of notes and expression. Juxtaposed against performance footage and scenes from Brown’s environment are the musician’s spoken observations in which he, in a gentle Georgia accent, explains some of who he is and how his chosen form of expression (wild, free lines of spontaneous sound) may not be as alien as it must have seemed in 1967. (Austin Film Society)

Retracing the longstanding career of avant-garde drummer Sunny Murray, one of the most influential figures of the Free jazz revolution. Through a series of interviews with key time witnesses as well as historic and contemporary concert footage, it reassesses the relationship between the libertarian music movement and the political events of the 1960s, whose social claims it so intimately reflected. By doing so, it also recounts how the most radical forms of musical expression were excluded from the major production and distribution networks as the libertarian ideal went out of fashion. Beyond its historical approach, the film follows Sunny Murray on current gigs, showing his daily struggle to perpetuate a musical genre which is still widely ignored by the general public. In doing so, Sunny's time now also dwells on the near-clandestine community of aficionados who continue to worship the gods of their musical coming of age, and whose unfaltering support has permitted free ...

Um filme de Christian Pouget: imersão no universo visceral e selvagem do solo, arte eruptiva que brota da árvore do mundo como um uivo de raiva e um canto de amor, uma imagem negra, uma imagem branca, a atmosfera simbólica de uma floresta de dia ou de noite, máscaras metafóricas, blues tribais no meio do caos de uma paisagem arruinada de tijolo e metal, sons do impercetível ao telúrico, o canto arrebatador das cordas e a voz de bruxa do arco, Joëlle Léandre está sozinha, indomável, com o seu Duende.

This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in post-WWII European Jazz and free improvisation. Archival footage, rehearsal / performance sequences and interviews with both Mengelberg (the "godfather of Dutch improvised music") and key collaborators provide a clear insight in Mengelberg's original way of thinking and way of working.

Angel Bat Dawid - one of the great jazz discoveries of recent years as a guest at Chassol in Ground Control. Chicago-native Angel Bat Dawid is one of the many talents tracked down by the US label International Anthem. Together with trumpeter Jaimie Branch and drummer Makaya McCraven, Angel Bat Dawid ensures that the "Windy City" is on the radar for jazz all over the world. The musician switches between vocals, clarinet and piano with amazing ease. But apart from that, Angel Bat Dawid is able to breathe a highly spiritual dimension into her music like no other, so that her jazz almost borders on gospel. Listening to the multi-instrumentalist therefore sometimes has something of a transcendental experience, at times reminiscent of the music of Sun Ra. This concert at Ground Control reveals all the artistic glory of their music. Recording of July 4, 2022 at Ground Control, Paris.