A documentary film honoring the King of Pop showcasing how Michael Jackson's groundbreaking musical legacy has influenced performers of the past, present and future.
Based on the myth of Icarus, in 1968, a boy attempts to pave a better future for himself by building rockets.
U.S. educational film. We follow Johnny, a boy who is seduced by rock and roll music into starting a band and smoking dope. See how rock music and hippie culture inevitably lead to death and addiction.
Andy Warhol directs The Factory regular Louisa "Jackie" Foster for a screen test.
Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the Western Australian regional town of Geraldton in the mid 1960s.
Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the New South Wales regional town of Wagga Wagga in the mid 1960s.
A found footage / object film: the colorful 1960s in Italy, a joyful time, live-giving coating of born-again found images, re-animated, examined, reviewed in a past time, revisited.
An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.
The early 70s is a golden epoch of our popular music. Hundreds of songs of exquisite beauty. Groundbreaking sound. Futuristic suits. How and whence could all of this emerge in a Soviet socialist republic? How did a brand new music scene, original in sound and philosophy in every way, and at the same time absolutely in sync with global music trends come forth? They weren't that fond of the Soviet label «VIA». And since neither of us is fond of this acronym, let us rechristen this music.
In 1966, over one hundred school kids became witness to one of the biggest UFO sightings in history. What they all have in common are five words… "I know what I saw." It still remains a mystery to this day.
Documentary of the Symposium on the Dialectics of Liberation and the Demystification of Violence, held in London, July 1967, organized by R.D.Laing, with Stokely Carmichael, Allen Ginsberg, Paul Goodman, Herbert Marcuse, John Gerassi, and many others. An important record of the spectrum of left-wing politics and personalities during the turbulent Sixties.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
A series of visual paradoxes between the names of the streets of Madrid and those of the shops located in them.
Stop-motion animation on the arranging of marriages in 1950/60s set in the Eastern-Polish borderland. The script is based on a part of Mikołaj Smyk's diary, the director's grandfather. The biographical objects used in the animation, such as an authentic headscarf, Polish and Russian books, the copy of Mikołaj Smyk's diary and photographs help situate the story in its original environment.
An Italian mobster looks back at his life in the mob after the death of the mob. His life after the mob consist solely of stumbling along and living on alcohol and cigarettes.
Parodic interview with a pin-up girl.