In the 1980s the breathtaking scenery of the Engadine is the setting of a social tragedy. The local youth rejects the rigid rules of traditional society. Along with juvenile get-togethers, heroin appears in the mountain valley. As more and more die from overdose, society reacts to the crisis by isolating itself and averting its eyes. The film lifts the veil on the stories untold. Can the memories of this bleak past become part of the Engadine’s acknowledged heritage?
Eric is in his mid twenties and suffers from severe anxiety. He spends his days trying to get rid of his inner demons , this is by consuming lots of alcohol and the drugs he comes across . Why does Eric feel and act like this, and will his behavior never end? That's the question his film friend Jeppe wants to find an answer to, but rarely get any response when Eric mostly keeps to himself or with his drug buddy Jonas . Eric also has a sister who he is trying to strengthen its relationship with now and then , but that's easier said than done when she is busy to fit up his DJ Genius for boyfriend, Johannes.
Cal Thacker, a would-be artist, shares his slum living quarters with Mike Rubel, a pusher who exists in a private drug-centered world, and Richard Stoney Morgan, an embittered drifter who sponges from the other two. Cal's girl friend, Carrie, who has provided his only meaningful human contact, finds him in bed with another girl and breaks up with him. In despair, Cal tries unsuccessfully to obtain funds by selling his paintings. His motorcycle is wrecked in a crash, though Cal miraculously escapes injury. Later in the day, the three roommates meet at the apartment and attempt to obliterate their problems with cheap whiskey. The liquor only creates new problems, however; Mike and Cal become involved in a violent argument with Stoney, who eventually leaves. Seeking revenge, Stoney reports Mike to the police as a marijuana pusher and then returns to the apartment with a knife. In the fight that ensues, Cal kills Stoney; but Cal is then gunned down by police.
Marty, a "good boy," experiments with marijuana and experiences "profound mental and emotional disturbances." As in all anti-drug films of this vintage, marijuana leads straight to "H," and Marty's decline continues until he is busted, rehabbed and reformed. Drug Addiction's stilted view of the urban drug culture and unrealistic portrayals of stoned slackers make it entertaining viewing today. It belongs to that little-known "second wave" of anti-drug films, the postwar scare stories about middle-class kids overcome by junkiedom. What this wave of films reveals is that drugs were an issue for white adolescents long before the psychedelic Sixties, and that the official response to the threat expressed a general, not specifically targeted paranoia.
This film points out the risks of being a heroin addict. Explains that addicts cannot be identified solely with one particular socio-economic level and cannot always be detected by appearance. Addicts and ex-addicts describe the first and subsequent drugs they used.
Heroin anti-drug educational film
In order to retrieve his share from a diamond heist, a guilt driven Mumbai cop finds and confronts his drug addict partner who's hiding in a shady neighborhood. Apparently their third partner, a smuggler who has the diamonds is missing. Will they be able to find him?
Presented by Voices in Society and Travelers Insurance Indemnity, this untitled PSA-style film from the 1970s is a compilation of various anti-drug use PSAs from National Clearinghouse for Alcohol and Drug Abuse Information (NCADI). The films were assembled by a film collector who did public screenings of cult films; he often showed this compilation under the moniker “Stoner’s Night Out”. NCADI is the information service for the Center for Substance Abuse Prevention of the U.S. Department of Health & Human Services. The PSAs that comprise this film combine footage of drug use as well as interviews. Overall, this film warns of the short-term and long-term effects of drug use with the later segments of the film focusing on marijuana use specifically.
A portrait of a strung-out heroin addict scrambling through New York City to score some cash for his next fix.
An educational video exploring drug addiction, including footage of real-life addicts going through rehab therapy.
This color educational movie “Narcosis” is a “scare film” about the realities of heroin and drug addiction The title narcosis refers to a state of stupor, drowsiness, or unconsciousness produced by drugs. According to a card at 1:50, actual addicts appear in the film.
Follows 6 people low life junkies & strippers as they battle for survival in the midst of a zombie outbreak in a run town on the outskirts of a city.
Stresses recognition and treatment of drug abuse emergencies, accurate identification of symptoms, and immediate clinical procedures. Presents scenes of actual cases in the emergency room and adjoining physician's offices of Beth Israel Medical Center in New York City. Viewers observe emergency treatment of patients in the major classes of drugs commonly abused, opiates, depressants, stimulants, and hallucinogens. The film demonstrates to health professionals that successful management of drug overdoses can save most lives and avert additional organic and psychiatric complications.
Small fragments from the life of a woman tortured to death by a drug addict and a cannibalistic Satanist. The thick blood splatters against director Baiestorf's dirty lenses, which shows in a surreal way the most realistic scene of heroin use ever filmed in the history of Brazilian cinema.
The short was created from scenes filmed for the feature "Stay Sick!" which Baiestorf was unable to finish.
When a marriage of convenience becomes the real thing, Joe moves his pregnant French wife to a tenement building on New York's Lower East Side. The street is like a war zone with none of the nostalgic appeal that Joe remembers from tales of his immigrant grandparents arriving in the same neighborhood with a new life. This is the urban frontier filled with comic mixture of gentrifies, homeboys, dealers and local residents simply bent on staying a float
Igor Gordić was an Olympic champion in shooting, but now he is a junky without money and in debts to mafia. Saša is his younger brother and he is getting ready for the next World Championship. Since he's not getting enough terms to practice indoors, he has decided to go out and find himself a target to practice on.
The start of the career of Herman Brood, who lived his life filled with sex, drugs and rock 'n roll. Guided by his manager they aim to take over the USA with his music.
Naturalistic and almost documentary account of the heroin addicts in Belgrade, in the form of a sad life story of young girl and her wasted life.