一对跟儿女很久不见面的父母，应女儿爱丽丝的要求去帮她照顾几天孩子。孩子们对没怎么见过面的祖父母感到很陌生，虽然爱丽丝对他们说了一些与祖父母相处的方法，不过见面后祖孙两代人之间的代沟依然无法逾越。祖父亚迪和女儿爱丽丝之间积压了多年的问题，也开始显现出来。随着与孩子们接触的增加，亚迪认识到了自己的问题，并开始学习改变的方法，重新修复和女儿的关系。
《让娜?迪尔曼》是一部怎样的电影呢？它是阿克曼1975年的一部长达三个半小时的电影，它又是一部著名的“女权主义”电影，它还是一部在形式与内容上都极富革命精神的电影。总之，阿克曼这位拍片数极少的比利时女导演凭借她二十出头拍出的这部电影，就足以让无数的影评人、电影史学家为她树碑立传了。它的独特、先锋已远远超出了我们的想象，我相信，以前没有，以后也不会再有如此奇妙的观影体验了！ 影片内容用一句话就可以概括：一个中年寡妇三天的日常生活（影片其实是从第一天下午到第三天的下午，仔细算下来也就两天多一点），影片的拍摄手法也十分“简单”——固定长镜头（影片中的机位选择非常严格，比如说厨房是正面、侧面两个机位，算下来全片也就只有十几个机位），影片场景同样十分“单调”——超过90%是在让娜?迪尔曼所住的公寓里拍摄的。
Donald's nephews are always playing instead of doing their chores. Donald is going to punish them, but the "voice of child psychology" convinces him to play along instead. This works well when they chop the wood to burn him at the stake. Meanwhile, however, a trio of Pygmy cannibals that escaped from the circus are out to do the very same thing to Donald with a cauldron of water.
Sofia's brains went missing, when mixing toasting with ironing.
Restored to its original glory by the National Film Preservation Foundation back in 2005, this little Christmas film is one of our holiday favorites. Margaret Conneely (Chicago amateur filmmaker & CFA Collection namesake) frames stop-motion animation and trick photography with live action footage to fuel her very own Christmas fairy tale. FAIRY PRINCESS (1956) was Margaret Conneely's most successful amateur film, winning a slew of local awards, and being named one of the Photographic Society of America's 'Ten Best films of 1956.' Conneely's film was also awarded the PSA's 'Harris B. Tuttle Trophy'; named after Eastman Kodak's innovator of the 16mm format, this trophy was awarded annually for the best amateur storytelling film on a family theme. - Chicago Film Archives
A young girl returns home to an empty apartment. She gets invited on a date but she has to finish her chores first. This would be very easy for her, but her addiction makes it a struggle.