1964年，亨利-乔治·克鲁佐执导的《地狱》制作陷入停滞。尽管期望很高，主要工作室支持和无限预算，但三周后制作崩溃了。这部纪录片展示了《地狱》令人难以置信的表现主义原始镜头、试镜和外景拍摄素材，并重建了克鲁佐最初的愿景，通过采访、未拍摄场景的戏剧化再现和克克鲁佐自己的笔记揭示了这个不幸的努力。
Promo trailer/reel for an ultimately unproduced horror feature.
An edit of Game of Death using unreleased footage. Hai Tien, a retired martial artist, is confronted by a underground Korean gang to retrieve an item in a five-level pagoda under the guard of skilled martial artists. When he refuses, his sister and brother are kidnapped. Now, Hai Tien and a group of other martial artists fight their way up the pagoda.
American astronaut Frank Douglas mysteriously disappears from his spacecraft as it parachutes to Earth. He is apparently replaced by or turned into a large, radioactive, humanoid monster. A team of scientists and military men attempt to capture the monster.
Reconstructions of unrealized Hungarian films in cooperation with the greatest Hungarian film directors.
For the first time in history you'll be able to see the last unfinished film from one of the greatest car-chase filmmaker's (Halicki) that ever lived, who loved to chase, wreck and destroy anything on four wheels. He bought over 400 cars to devour. It's one of the most amazing car crash chases ever filmed! Halicki reprises his role as the legendary car booster... on the run from some killers and the police he boost a Semi Tractor-Trailer... the chase destroys half the city... the other half is destroyed by the 'Slicer' (a custom built wedge car). The car is unstoppable - it can flip any truck or car in it's speeding path! You'll see why they nick named Halicki "The Car-Crash-King." You won't believe your eyes - you'll watch it again and again... the action never stops!
In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.