Taxi driver Sang-gu is an ordinary father who has made a happy family. Due to their unfortunate financial circumstances, he is sorry that he cannot afford to send his daughter Yoon-mi to university like other parents. Yet, with a bright smile on her face, Yoon-mi tells her father that she will one day buy him a new car and pay college tuition fees for her younger sibling. However, less than two years after Yoon-mi begins her job at a large corporate company, she gets seriously ill and returns home. Sang-gu is heartbroken to see his young daughter in such a condition.

A documentary about the continuing case of Samsung semiconductor plant. The film is a story about nameless people wearing white coat, hat and mask worked in a clean room exposing eyes only.

Erkki Kurenniemi was arguably one of the first artists to propose or fantasise about a complete cultural surrender to cyber existence, and his entire career, covering such diverse fields as artificial intelligence, music, engineering, film, dance or rhetorics, testifies to this desire to escape the limits of the human body and transgress into a different dimension, bordering on techno-fetishism. In his 1964 short Electronics in the World of Tomorrow, Kurenniemi presents a slideshow of the most aseptic signs of technological imagination: diagrams, chips, machines, cold surfaces. But footage of human warmth also comes up - mostly in black and white, as if to give humans the status of a memory. Originally silent, the film was in this version endowed with a electronic music piece by Kurenneimi himself: a cold, aggressive soundtrack that could be said to present technology as a potentially menacing affair, although this is a reading that the director would certainly refute.