A doctor is pulled into Stockholm's underbelly after his brother gets caught up in a botched drug deal.
Cal Thacker, a would-be artist, shares his slum living quarters with Mike Rubel, a pusher who exists in a private drug-centered world, and Richard Stoney Morgan, an embittered drifter who sponges from the other two. Cal's girl friend, Carrie, who has provided his only meaningful human contact, finds him in bed with another girl and breaks up with him. In despair, Cal tries unsuccessfully to obtain funds by selling his paintings. His motorcycle is wrecked in a crash, though Cal miraculously escapes injury. Later in the day, the three roommates meet at the apartment and attempt to obliterate their problems with cheap whiskey. The liquor only creates new problems, however; Mike and Cal become involved in a violent argument with Stoney, who eventually leaves. Seeking revenge, Stoney reports Mike to the police as a marijuana pusher and then returns to the apartment with a knife. In the fight that ensues, Cal kills Stoney; but Cal is then gunned down by police.
Shocking, devastating and unflinchingly real. KOMO News' Eric Johnson looks at the heroin crisis in Seattle.
An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.
Documentary following Jason Mewes' withdrawal from heroin and his struggle to stay clean.
ALL KINDSA GIRLS traces the evolution of garage/punk rock from its inception in the sixties through current interpretations. Focusing on the career of singer/songwriter John Felice and his band the Real Kids, the film examines the significance of music in the lives of performers and fans. In 1976, the year the Ramones and the Sex Pistols issued their first albums, ex-Modern Lover John Felice put together the band that would become the Real Kids. One year later, they recorded the garage/punk classic known as the Red Star Album. ALL KINDSA GIRLS documents Felice's evolving search for success
This color propaganda ‘scare’ film is about the horrors of the drug heroin. It seems to be reel 1 and is missing its credits and its other reels. It is made circa the late 1960s in England.
Ben Rogers was a bright schoolboy from a loving, middle class family. He played in the orchestra, loved cricket and enjoyed the annual family holiday. But his future promise was halted when he started taking drugs in his teens. Early drinking led to cannabis, harder drugs, and then the revelation to his family, at the age of 21, that he was addicted to heroin. Over the next 13 years Ben and his family battled with his addiction, going through detox, rehab and attempts at 'cold turkey', but his health gradually declined. Whilst attempting another detox aged 34, he died from a brain haemorrhage. But during the last two years of his life, Ben filmed an unflinching video diary showing his final desperate attempts to come off heroin. It's a portrayal of his descent; intimate, raw, and at times difficult to watch, he talks to his glove puppet as he injects into a vein in his groin.
This program is an overview of best practices to keep a person who has overdosed alive between discovery and hospitalization. Practices include quickly finding or identifying the substance the person on which the person has overdosed and traveling to a hospital or other treatment site immediately. Several simulations of different situations are shown, and the narrator asks the viewer what he or she would do differently. It provides an excellent overview of the basic prehospital approach to an overdosed patient. The initial field management of a patient is covered, accompanied by well-done scenarios illustrating incorrect technique. Although the inclusion of more medical detail would have been beneficial, this is a compelling presentation which is highly recommended for use.
This film presents a series of extemporaneous interviews with teenagers and young adults who have taken narcotics for "kicks," "association," or "curiosity." Residents of the California Rehabilitation Center relate how they were introduced to narcotics, why they wished they had not used drugs or narcotics, and what the future holds for them. Film is shot in Hollywood, Calif.
This film points out the risks of being a heroin addict. Explains that addicts cannot be identified solely with one particular socio-economic level and cannot always be detected by appearance. Addicts and ex-addicts describe the first and subsequent drugs they used.
Presented by Voices in Society and Travelers Insurance Indemnity, this untitled PSA-style film from the 1970s is a compilation of various anti-drug use PSAs from National Clearinghouse for Alcohol and Drug Abuse Information (NCADI). The films were assembled by a film collector who did public screenings of cult films; he often showed this compilation under the moniker “Stoner’s Night Out”. NCADI is the information service for the Center for Substance Abuse Prevention of the U.S. Department of Health & Human Services. The PSAs that comprise this film combine footage of drug use as well as interviews. Overall, this film warns of the short-term and long-term effects of drug use with the later segments of the film focusing on marijuana use specifically.
This documentary by Leo Regan follows the life of his friend, photographer Lanre Fehintola, as he becomes part of the hard drug scene through researching it for his book ("Charlie Says: Don't Get High On Your Own Supply"). It shows Lanre as he becomes a character in his own book through his heroin addiction.
The personal and social tragedy of drug addiction with its evil accompaniment, drug traffic. Over the side of the silent liner in the darkness slips the package of smuggled narcotics, introducing us to the complex problem which involves all races and classes of man. We see many aspects of addiction - the addict preparing an injection, a group waiting tensely for their dope peddler; agents preparing and adulterating the illegal product; the police catching a pusher red-handed. International and national authorities are working from two angles - suppression of the illicit traffic; and where possible, rehabilitation of the addict.
About Addiction was created to educate the youth about proper and improper drug use. It draws a compassion between prescription drugs, alcohol, coffee, over-eating and illicit drug use. The opening scenes show the narrator informing viewers addiction is a dependence on anything taken into the body
A warm story about the fight for a decent life. Deals with teenagers having problems with alcohol and drugs.
Heroin anti-drug educational film
This experimental 1970 color documentary film, ostensibly designed to provoke classroom discussion employs a boldly unconventional approach to addressing the issues of drug addiction, featuring the music of Canadian singer-songwriter Bruce Cockburn. The film eschews narration for montage effects and extended fly-on-the-wall scenes of various drug users in conversation.
An educational film sponsored and distributed by the Los Angeles-based Narcotic Educational Foundation of America and directed by Gilbert Lasky with financial assistance of the Woman’s Relief Corps targets teachers as well as junior and senior high school students in the war on drugs. Narcotics are classified and effects of opiates, stimulants, and barbiturates are summarized and dramatized