影片的剧情有两条主线：一条是寡妇海伦与初恋情人阿尔方斯的重聚，另一条是贝尔纳与阿尔及利亚姑娘慕里耶之间的离奇关系。海伦尝试与阿尔方斯重温旧好，回到往昔的甜蜜时光，以驱走心中的孤寂。阿尔方斯亦试图与她重新开始，以逃避面临经济和感情危机的现有家庭，无奈岁月的冲刷使得两人难以拾起旧日的情意；而另一边，贝尔纳则日夜挂牵着在军队被折磨致死的姑娘慕里耶，一直搜集各种声像证据以求替她报仇。影片的叙事风格是一个时间的重叠，将阿尔及利亚殖民之战与二次大战对比，导演雷奈在此勾绘了一个重复受苦的景象。电影叙述一个女古董商的继子从阿尔及利亚战场归来，恰巧古董商的老情人也来看她。继子与老情人的战争记忆虽在不同的时代发生，却在现代交会。雷奈剪得破碎的片段，加上重叠的声音和影像，仿佛是反映各个角色内在时空不明、各自挥之不去的回忆。观众看到的只是角色的外在，得不到任何解释，画面表现的是他们在既定的时间内的日常遭遇，我们只能猜想他们的过去。穆里爱事实上是一个被法国占领军行刑至死的阿尔及利亚女人，她从未在电影中现身，却是继子刻骨铭心的记忆和罪恶之源。
Follows the production of Jean-Luc Godard's French New Wave classic "Breathless".
在布雷斯特度假期间，一位年轻的巴黎人爱上了一位水手。但秋天来了，这对恋人不得不分手。他们互相写信。他们的爱会抗住距离吗？每个人都过着自己的生活，他和他的朋友在布雷斯特，她在巴黎等着他？一个不可能的爱情故事和巴黎和布雷斯特两座城市的交叉肖像，在彩色图像的现实主义和深褐色黑白图像所注入的诗意之间，随着两位恋人怀旧的节奏而生。。。
An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.
Forced by the parents to be married, a young couple in Paris discover things about themselves as they mature through their romance together.
Ben Santhanaraj journeys to Sri Lanka to rekindle his relationship with Suzanne Hopper, an American NGO worker, after a long separation. But when Suzanne's boss demands she work during their vacation, their love is tested by a dilemma: desire versus duty. As Suzanne struggles with the responsibilities of her job, Ben tries everything to revive their intimacy, leading to candid conversations and chaotic twists as New Year’s Eve - and Ben’s departure - looms ahead.
Matthew (Steve Verhulst) an older, self-absorbed, boring, travel worker meets Anna (Sofia Sparta) a young, wild, multifaceted artist that is looking to push the boundaries of society for the acceptance of her own work.
A Cine-Poem. A journey through Paris. A memory film. Three stories, dedicated to one pioneer of cinema.
A lonely man, who spends all his time watching films, finds a way to get his hands on a copy of the lost film Cleopatra (1917), but will he be able to pay the price?
This interview with actor Alain Delon, conducted and directed by François Chalais, first aired on the French television program “Cinépanorama” on November 24, 1962. Delon discusses working with director René Clément, with whom he would make four films: PURPLE NOON (1960), THE JOY OF LIVING (1961), JOY HOUSE (1964), and IS PARIS BURNING? (1966).
Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.
Ideas are a confusing concept. When an emerging surrealist pioneer of French art is faced with a stagnant period, he must comply with bizarre forms of inspiration taking that might re-light the flame of his once innovative self.
A Bonnie & Clyde criminal couple rob a movie theater on Christmas Eve, and have time to kill before their train, and escape plan, leaves the station; what's the worst that could happen? Enter the detective pair, Brooks and Candy; one of which is struggling with his recent nicotine kick; their only lead: a pack of mysterious cigarettes called Cassidy Blues.
Newly discharged from rehab, Will calls a string of friends and family to pick him up. While he may be ready to move on, those he hurt can’t easily forget the past.
A young painter, Léon, spends his days painting and creating art in order to keep up with the uproar of artists in Paris during the 70's. This passion of his slowly begins to sabotage his relationship with his girlfriend Maree. After their separation, he slowly begins to reflect on their relationship and realises that she may have been his most inspiring muse all along.