Ahmed (Ahmed T. Ragheb), an Egyptian-American aspiring actor, anxiously awaiting news of his latest film audition, gives in to his superstitions and sets off on a journey across Pittsburgh, trying to force the hands of fate. Lily (Grace Cooper), a photography student, meanwhile, criss-crosses the city unseen on a journey of her own, photographing and recalling scenes from her past.
A short documentary film that captures the city (Cairo) in its most tranquil and calm state, from 5 am to 7 am.
Exclusively utilizing footage from other Egyptian films that use the pyramids as backdrop, Domestic Tourism II explores the ways in which these iconic historical monuments can be reappropriated from the “timelessness” of the tourist postcard and reinscribed into the complex political, social, and historical moment in urban narratives.
On the Pacific coast of Los Angeles, Ali and Yaffa struggle to remember the Arab Mediterranean cities they have left behind.
In Rod El Farag, one of the poorest residential areas in Cairo, obtaining meat, fruit and daily bread is a constant struggle. But the sense of community shared by the inhabitants there helps them to some extent overcome their hardships through a social practice known as ‘al Gami’ya’, or ‘the assembly’.
This Traveltalk series short takes a look at Cairo's landmarks, people, and culture.
Maverick underground American/Lebanese musician and ethnomusicologist Alan Bishop (Sun City Girls and Sublime Frequencies), lands as a stranger in Cairo, soon after the 2011 uprisings, and teams up with three young Egyptian musicians for the translation of his old songs into Arabic. Under Bishop’s mentorship, this unlikely collaboration transforms into a band, The Invisible Hands.
On a hot summer day, a taciturn teen boy makes his way through the hustle of Cairo — with a baby in tow. His arrival at a hospital reveals the turmoil beneath his muted expression, in this stark and compassionate examination of trauma.
Amid the tumult of the Arab Spring in Cairo, vendors in a small souk observe the political upheaval while seeking to preserve an ancient tradition of fabric making.
An Egyptian living and working in Pittsburgh, Pennsylvania, reflects on his new surroundings through a series of images and observations. The resulting montage is a poignant cinematic postcard that explores the contradictory nature of the immigrant experience: at once lonely, frightening, and exhilarating.
When a day in the life of a beleaguered Egyptian filmmaker goes sideways, he witnesses anew issues like class and gender relations.
A documentary film by Davide Sacchetti.
Mahgoub is a villager who moves to Cairo in search of a better life. When he enlists friend Salem's help to find him a job, Salem not only gets him a job at the ministry where he works but he finds him a bride as well. But the bride is the mistress of Qasem Bek, who will be visiting her once a week.
A documentary that explores the life of one of the world's most populated cities from its streets. Shot in 2009-2012 (before and during the Egyptian revolution, and ending with the most recent presidential elections), the film explores the country's collective identity, inherent struggles, and the sentiments that lead through the historic changes taking place in Egypt today. For his third documentary, Egyptian/ American filmmaker Sherief Elkatsha rides through the congested streets alongside a diverse cast of characters-from taxi drivers to ambulances, from traffic cops to private citizens-capturing the unspoken codes of conduct, frustrations, humor, fatalism, and life-or-death decisions of driving in a city where the only rule is: there are no rules.
In the fading grandeur of downtown Cairo, Khalid, a 35-year-old filmmaker is struggling to make a film that captures the pulse of his city at a moment when all around him dreams as much as buildings are disintegrating. With the help of his friends who send him footage from their lives in Beirut, Baghdad and Berlin, he finds the strength to keep going through the difficulty and beauty of living IN THE LAST DAYS OF THE CITY.
Reporter Homer Smith accidently draws Marcia Warren into his mission to stop Nazis from bombing Allied Conwoys with robot-planes.
A young woman is lured to Cairo, where a cult of devil worshippers wants to sacrifice her.
That old theatrical war-horse Bella Donna (previously filmed in America by Alla Nazimova) was resurrected by Britain's Twickenham Studios in 1934. Conrad Veidt stars as sinister Egyptian Mahmoud Baroundi, who even before the film gets under way has left a long trail of ruined women behind him. His latest victim is American girl Mona Chepstow (Mary Ellis), whom Baroundi treats like dirt and makes her like it. The plot centers around a murder by poison, as evidenced by the film's deliberately exotic title. Critics in 1934 praised newcomer Mary Ellis for underplaying her role, but many film fans preferred Nazimova's arm-waving histrionics in the earlier version.
Three women seek justice due to the difficult daily situation which sexual harassment causes in the streets of Cairo, Egypt.
A Brooklyn postal worker follows her Egyptian boyfriend to Cairo where she takes belly-dancing lessons from a legendary but disgraced Egyptian dancer.