Refuse to compromise to choose freedom
my city knows so much about you
Libyan film based on a work by Ahmad Ibrahim al-Faqih. The film's events revolve around an Arab woman, her status and varying roles, examined through a historical evocation of the poet Layla al-'Amiriya.
Short documentary on Chilean poet Jorge Teillier (1935-1996), who comes back to Lautaro, on the south of Chile, the place where he was born.
T. S. Eliot has been considered by many to be the leading American poet of this century. His contemporaries in the 1920s recognized in “The Waste Land” an expression of the exhaustion and fragmentation that afflicted so many in that post-war era. They also recognized the originality of Eliot’s poetic technique and admired his insistence on the need for spiritual values in an age of popular kitsch.
Sangria is intended to discuss the women's role in Brazil since colonization until nowadays, once the females have been silenced and battered for ages. It's formed by 28 poems like a menstrual cycle. The poet, Luiza Romao, has recorded each poem in a studio and has invited 28 different female-artist to performing them. The guests came from distinct arts (photography, music, danse, grafitte, theater) and each girl has proposed an intervention. All the process was independent.
This was a labour of love combining the work of some incredible artists to bring Máire Mhac an tSaoi’s poetry into the medium of film. Deargdhúil: Anatomy of Passion explores the life, work and sensual poetic imagination of the revolutionary Irish poet Máire Mhac an tSaoi. Born in 1922, her story is set against a backdrop of a tumultuous century in Irish history in which she and her family were centrally involved. At a time when women's voices were being silenced, the native tradition in the Irish language was her stage to explore the depths of female sexuality and experience without shame. Featuring the movement poetry of performance artist Maureen Fleming, interview by Louis de Paor, poetry voiced by Máire Mhac an tSaoi, Ailbhe Ní Ghearbhuigh and Nuala Ní Dhomhnaill, autobiography script voiced by Olwen Fouéré.
A film about the poet Oscar Lucero during the year 2012 in La Legua.
A Ghanaian fashion student and a Nigerian squash player are among the Africans making a life in 70s Britain.
A film about the Swiss Italian poet Fabio Pusterla and his creative poetic process, his struggle to find an honest language, one which adheres to the personal experience and is able to unfold a hidden truth that creates a strong and profound bond with the other, with his public.
...The poet returns from exile to his native village of Nar. No matter how or where he returned, the poor mountaineers shared everything with him: bread, cloak, horse. But the sincere joy of meeting your homeland is short-lived. Naro became even poorer than before. The “Aldars” - the princes who carried out justice and reprisals in the villages - are even more rampant.
After the premature death of her son, Jung-sook learns to read and write by transcribing her late son's anthology, Passing Over the Hill. In search of her son's remnants, Jung-sook visits his university in Seoul and encounters the people who remember him. She wants to find her son's hill.
The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.
The lifetime of the great Argentinian man of letters Jorge Luis Borges through narration and interviews of such key players in his life as Leonor de Acevedo —his mother—, María Kodama —his second wife—, and Adolfo Bioy Casares —his best friend and collaborator for decades.
A day in the life of Swedish poet Karl Holmqvist.
February 1954: ten mass graves with over 500 bodies are found in the region of Sofia, Bulgaria. Experts say they were killed and the deaths occurred in 1925. In one of the graves a glass eye is found - the glass eye of the poet Geo Milev.
Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.
Sangwoon lives in Gajeong-dong, an old neighborhood in Incheon. He works in Cheongna, a new city beyond the overpass. Sang-woon, who gets off work late every night, finds comfort every day by reading poems that someone has written on the walls of his neighborhood. One day, he discovers that the poem that used to change every day has not changed. (source: siff)