How is our dialect faring in the globalized age? When the "railroad age" began 160 years ago, Switzerland feared that High German would supplant the dialect. The opposite has happened. The dialect persists and continues to blossom.
It Ain't Necessarily So captures a budding Japanese jazz singer and her biracial vocal instructor who struggle to agree on the proper way to sing Gershwin’s “I Loves You Porgy.” Humor is no stranger to jazz singers Eiko Katayama and Kazue Hiraoka who star alongside Masa Fox, their English teacher. "Master at capturing hyper-awkward moments... brilliantly explore how representations of culture and identity ain’t necessarily how they appear." --Wilda Wong, San Diego Asian Film Festival
A teacher attempts to teach his students to properly enunciate the letter 'R'.
Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.
This short documentary examines an innovative educational program developed by John and Gerti Murdoch to teach Cree children their language via Cree folklore, photographs, artifacts, and books that were written and printed in the community. Made as part of the NFB’s groundbreaking Challenge for Change series, Cree Way shows that local control of the education curriculum has a place in Indigenous communities.
For 50 years, controversial ethnographer John Peabody Harrington crisscrossed the United States, frantically searching and documenting dying Native American languages. Harrington amassed over a million pages of notes on over 150 different tribal languages. Some of these languages were considered dead until his notes were discovered. Today tribes are accessing the notes, reviving their once dormant languages, and bringing together a new generation of language learners in the hope of saving Native languages.
A Carefree Artist confronts The Pioneer of Odia literature Byaasakabi Fakir Mohan, to lament about the current state of the Odia Language and how it has been looked down upon by the elites of the state. Will his voice be heard?
Borrowing from an anthropological study initiated through the University of California in 1969, The Taste of The Name is a fantasia on universality. As a parallel to the elusive “umami” and its gradual scientific acceptance as a primary taste, we consider what is perceivable, knowable, and namable. Through the blue spectrum of various hermetic artifices, we are fed fables of Jules Verne's Nautilus and resurface in a virtual tanning bed, turning over in a slippery navigation of language.
Joe learns the importance of using new words.
Be. Belonging. Words on vintage flash cards shuffle past in a stream-of-consciousness that shows the mind working, assigning labels and names to things through love and language. In the space of a moment, perception embarks on an epic journey of tongues, through Cantonese and English sounds and Ektachrome memories that form the characters and identity of this American-born Asian filmmaker.
The filmmaker traces the loss of her ancestral language over three generations of her family, and her own desire to recover it.
"Se ti sabir" is a film reflecting on language, intelligence, and our relationship with new technologies and non-human species.
The joys of 1960s modern education - as seen at a not-exactly-typical local comp.
The wild beauty of the Bella Coola Valley blends with vivid watercolor animation illuminating the role of the Nuxalk oral tradition and the intersection of story, place and culture.
There are about 250 people with a unique ancestry. Livonians – one of the smallest and most endangered nations. Each of Livonians has a duty to preserve their identity and the great history of their ancestors. Trillium follows the footsteps of a poet and researcher Valts Ernštreits, who is one of 20 people able to speak fluent Livonian – an indigenous language related to Estonian and Finnish – in his efforts to look after the language and culture of these ancient settlers of the Baltic Sea coast.
The three speakers represent two of the dialects, with the most common one - the middle dialect spoken in Riga and central parts of Latvia - not featured in the film. In intimate surroundings, a farmer, a schoolteacher, and a herder of ostriches talk about perceived differences between Latvian speakers, and about language policy and their lives.