Hilmano van Velzen, the "Homeless Poet" wants nothing more than to become famous with his poetry. But his addiction and character get in the way.
In a trash-filled city, a homeless woman's encounter with a fish takes an unexpected turn.
A short documentary following the last 5 hours of a 59-years-old man, Ahmed before becoming homeless due to the late payments and bureaucracy by the Department for Work and Pensions.
A homeless couple looks for a way to get ahead, working and making an effort, while trying to overcome their past.
Vancouver's Downtown East side is home to thousands of drug addicts, prostitutes, and the mentally ill. Amateur cameraman K.R.T. spent one summer on these mean streets getting to know longtime homeless drug addicts Ken and Lisa. This seemingly random footage was given to first time writer/director Josh Laner who found a story of people trying to connect in an area where no one seems connected to much of anything. An intimate and surreal look at life on the streets in Canada's most impoverished postal code. This is Josh Laner's first film.
With the 2010 Olympics approaching, will the world get to know Vancouver's darkest secret? 'Streets of Plenty' chronicles one man's perilous journey to live in Vancouver's downtown east side ghetto. The rules of this twisted social experiment? Starting with only a pair of underwear, he must survive the harsh winter streets for 31 days. He has no money, no friends, no family, and most importantly, no home. He must navigate the institutions, policies and services alongside the thousands of people that call Vancouver's streets home.
A homeless man searches for a safe place on a cold winter night.
Four stories for the price of one! Two detectives struggling with their own masculinity learn to work with each other, a French focus puller learns the true nature of his abusive director, a British influencer travels to Texas and has to fight for his life to get out, and a young man falls in love with a stranger who has yet to learn his dark secret.
Street Life documents the lives of Chinese migrants in Shanghai, one of the world’s largest and most vibrant cities, now symbolic of China’s economic might. The film centers on Nanjing Road, one of China’s oldest commercial streets and today a popular destination for tourists and moneyed Chinese. The street has also become a Mecca for uprooted and homeless Chinese, who make ends by collecting garbage and recyclables. These characters and their stories are the focus of the film. The central character in Street Life is a migrant known as “Black Skin.” Black Skin faces numerous pressures in the course of the film, including police violence. In the end, these pressures are too much for him to bear and he goes mad. Black Skin’s story intersects with those of fellow bottle collectors, enterprising thieves and even a young boy who has been abandoned.
A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.
I'll be Home for Christmas cuts through social taboos to explore the subculture of people commonly dismissed as ‘derelicts'. In its portrayal of five homeless men, the film challenges conventional views of alcoholism and homelessness by depicting these men as members of a social network with a highly developed sense of mutual concern and camaraderie.
A runaway barrel wreaks havoc all over the city.
Homeless student in New York City documents her family struggles.
Story that follows the life of handicapped homeless boy and his friends.
Musty Suffer finds a bicycle and gets a job as a messenger; hilarity ensues, of course.
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
Just as the original hobos of the early 20th century were scorned the mainstream of society, so too are today's train riders. FREELOAD is a dive into a beggar's existence. It is a ride through America's backyard. It is a musical endeavor that feels like a drama. It is a sociological examination of the ignored.