Jomu’a is a Palestinian who lives in a refugee camp. Every early morning, he goes to the entrance of the refugee camp to earn his living selling coffee. He tries to find additional work but the only job available is to demolish a house.
12-year-old Dyab is a Kurdish Yazidi boy living at Arbat refugee camp, after the horrendous attacks by the Islamic States on their villages at Shingal Mountains (Sinjar). However, Dyab’s dream is, to become a filmmaker and actor and tell the stories and sufferings of his people to the outside world.
Ekhlas Alhlwani was forced to flee Syria with her three children and now lives in Zaatari, a refugee camp in the Jordanian desert. Rizzi spent seven weeks observing her and other women's daily life, which is devoid of any prospects. He shows how Alhlwani makes every effort to establish some kind of normality for her family despite the difficult camp conditions. The film vividlyconveys the cruelty of war, and especially the state o funcertainty and rootlessness to which refugees are exposed. The film is the first part of a trilogy that focuses on the emergence of a new civil consciousness in Malaysia, Tunisia, Egypt, Bahrain and Syria, as well as the social implications of the end of post-colonialism in these countries.
Documentary about the humanitarian crisis of the refugees between 2015 and 2018
"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)
Set during the second Intifada, this documentary follows four Palestinian families living in Dheisheh Refugee Camp near Bethlehem. Fadi is 13 and cares for his 4 younger brothers, the Hammashes are a close-knit family who pass on the lessons of life with humor and passion, Sana is a single woman who endures long commutes to do community work, and Emad and Hanan are a young couple trying to shield their daughter from the harsh realities of the occupation. They talk about their past and discuss the future with humor, sorrow, frustration and hope. Until When paints an intimate in-depth portrait of Palestinian lives today.
Documentary Film maker, Mark Brown, attempts to discover the damaging effect the over-spilling immigrant population has on the coastal city of Calais, France.
It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.
La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.
Rafi, Salman, Said and Ali are all under 18 years old. They come from Afghanistan, Syria and Pakistan. After months of wandering, fleeing wars in their country, they found themselves stuck in Calais, where they are trying to survive, waiting for something better. Their dream: to get to England. How? By climbing into containers or slipping onto the axles of trucks, risking their lives. Who cares about these isolated minors in the Calais Jungle, the largest slum in Europe?
Claire Denis goes to Eastern Chad to the Breidjing camp, the home of 40,000 refugees from Darfur. With great humility, she tells the stories of these men and women, victims of one of the worst humanitarian catastrophes that this century has seen so far.
Close to 80,000 Syrian refugees live in the Zaatari Refugee Camp in Jordan, the second-largest such camp in the world. Fifty-eight percent of its inhabitants are children. After Spring immerses us in the rhythms of the camp, the role of the aid workers, and the daily lives of two families as they contemplate an uncertain future.
The fate of thousands of people is unified under the tarpaulins of the refugee camps in Kobanê and in Shingal. Kurdish filmmaker Bahman Ghobadi has given eight children the opportunity to use a camera to tell their own stories. Each film gives us a glimpse into the plight of the children, as seen through their own eyes. Their stories tell of young people with their whole lives ahead of them, though they’ve already lost almost everything. At a certain point, the film crew leaves the camp and follows the 13-year-old Mahmod and his sister in the search for his parent‘s house in Kobanê. The town has been ravaged by the war and all the children find is rubble. The eight films reveal the courage and openness of the young filmmakers, who share their stories with great intensity, realism and poetry, despite their harsh fate.
Interviews with Palestinians living in Lebanese refugee camps, some of it shot in Sabra and Shatila before the massacre.
Eight year-old Adam confronts a mutated world, when he breaks out of the designated quarantine area for refugees.
Samad is a 14-year-old boy, living in a refugee camp in Imishli. After blacking out in the forest, he finds himself in the midst of the Nagorno-Karabakh War that happened ten years ago.
As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.
The film takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.