Discuss The Four Feathers

This film is fun to watch and technically impressive, but dear lordy what a dated story! It's one of the early 20th century pro-Empire movies, glorifying England's colonial presence with a thick patriotic slant which I honestly thought was satirical for half the movie. The way the old men browbeat the poor kid for reading poetry, equating it with cowardice, and the way these old men constantly recite their stuffy war tales made me think the film was more along the lines of the sarcastic jabs Powell/Pressburger took at the war mentality in Colonel Blimp (which got them lowkey blacklisted by Churchill). It was kinda shocking to realize that this story actually is a patriotic drumbeat, shaming any young man who opposed war.

The thing is, I can forgive the propaganda in this film given that it was made in 1939, right as England was being drawn into WW2. It's for the same reason that I accept Hitchock's heavy handed propaganda in his films around that time. Historical context is part of the movie experience. And the original 1902 book was written at a time when British imperialism was much in vogue, full of adventure and discovery. So it makes sense that the early 20th century would favor this story.

But why does this story keep getting remade? I count 6 times, as recently as 2002. Haven't audiences cooled off to British colonialism the same way Americans have cooled off toward cowboy & Indian films?

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This is a movie I've watched at least a time or two, decades ago, that I recall not enjoying (for whatever reason[s] I've since forgotten) or getting any extent of in to. A bit surprising, as I'm a lifelong fan of the Kordas brothers' fine productions, plus a lifelong fan of always-terrific Ralph Richardson and C. Aubrey Smith.

I'm thinking it's the cast otherwise that didn't click with me.

@genplant29 said:

This is a movie I've watched at least a time or two, decades ago, that I recall not enjoying (for whatever reason[s] I've since forgotten) or getting any extent of in to. A bit surprising, as I'm a lifelong fan of the Kordas brothers' fine productions, plus a lifelong fan of always-terrific Ralph Richardson and C. Aubrey Smith.

I'm thinking it's the cast otherwise that didn't click with me.

Same here, it definitely took me a while to get into, but I forced myself to like it because I bought the Criterion blu-ray 😅

Aside from the issue I mentioned above, I had a hard time figuring out who we’re supposed to be rooting for. John Clements is the protagonist which made Ralph Richardson seem like the villain at first, since his first few scenes show him sulking as the jilted rival for the lady’s affections, then insulting our hero for cowardice. So it was hard for me to have sympathy for Richardson’s character when things went wrong on the battlefield. Add to my confusion the fact that our hero was in disguise for most of the film, so it was hard to feel any emotion for him either.

But Ralph Richardson’s performance of being blind was really amazing, and he finally won me over. Then I figured out that they’re all comrades, no hard feelings or rivalry. Who knows, maybe that fakeout was the intent, but it was just kinda disorienting.

Probably could use a 2nd viewing!

@rooprect said:

But why does this story keep getting remade? I count 6 times, as recently as 2002. Haven't audiences cooled off to British colonialism the same way Americans have cooled off toward cowboy & Indian films?

Rooprect, now that is not fair. You have piqued my interest with that statement but you have left no list.

I want the list.

Thank you, genplant.

Interesting that the British 1939 version was filmed in colour, considering-- at least from what I understand --there was a severe shortage of (already rare) colour film stock in the U.K. during the 1930s.

Rooprect, you are absolved.;)

@northcoast said:

Thank you, genplant.

Interesting that the British 1939 version was filmed in colour, considering-- at least from what I understand --there was a severe shortage of (already rare) colour film stock in the U.K. during the 1930s.

Rooprect, you are absolved.;)

😂 Nice to know I can drop a questionable factoid and @genplant29 has my back! (Usually I can count on @bratface as the truth police but it must be a busy week…)

I didn’t think about how hard it was to get colour stock in UK 1930s but you’re right. I think that’s a large part of the film’s appeal, I can’t think of too many (actually any) UK films in colour at that time.

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