Felix Bressart

Información personal

Conocido por Interpretación

Créditos conocidos 62

Sexo Masculino

Fecha de nacimiento 2 de marzo de 1892

Fecha de defunción 17 de marzo de 1949 (57 años)

Lugar de nacimiento Eydtkuhnen, East Prussia, Germany [now Chernyshevskoe, Russia]

También conocido como

  • Феликс Брессарт

Puntuación del contenido 

100

¡Sí! ¡Buena pinta!

Parece que nos faltan los siguientes datos en es-ES o en-US...

Iniciar sesión para informar de un problema

Biografía

From Wikipedia, the free encyclopedia. Felix Bressart (March 2, 1892 – March 17, 1949) was a German-American actor of stage and screen.

Felix Bressart (pronounced "BRESS-ert") was born in East Prussia, Germany (now part of Russia) and was already a very experienced stage actor when he had his film debut in 1928. He started off as a supporting actor, e.g. as the Bailiff in the box-office hit Die Drei von der Tankstelle (1930), but had soon established himself in leading roles of minor movies. After the Nazis seized power in 1933, Jewish-born Bressart had to leave Germany and continued his career in German-speaking movies in Austria, where Jewish artists were still relatively safe. After no fewer than 30 films in eight years, he emigrated to the United States.

One of Bressart's former European colleagues was Joe Pasternak, now a successful Hollywood producer. Bressart's first American film was Three Smart Girls Grow Up (1939), a vehicle for Universal Pictures' top attraction, Deanna Durbin. Pasternak also selected the reliable Bressart to perform in a screen test opposite Pasternak's newest discovery, Gloria Jean. The influential German community in Hollywood helped to establish Bressart in America, as his earliest American movies were directed by Ernst Lubitsch, Henry Koster, and Wilhelm Thiele (director of Die Drei von der Tankstelle).

Bressart scored a great success in Lubitsch's Ninotchka, produced at Metro-Goldwyn-Mayer. MGM signed Bressart to a studio contract in 1939. Most of his MGM work consisted of featured roles in major films like Edison, the Man.

He combined his mildly inflected East European accent with a soft-spoken delivery to create kindly, friendly characters, as in Lubitsch's To Be or Not to Be, in which he sensitively recites Shylock's famous "Hath not a Jew eyes?" speech from The Merchant of Venice. Lubitsch also directed Bressart to similar effect in The Shop Around the Corner.

Bressart soon became a popular character actor in films like Blossoms in the Dust (1941), The Seventh Cross (1944), and Without Love (1945). Perhaps his largest role was in RKO Radio Pictures' "B" musical comedy Ding Dong Williams, filmed in 1945. Bressart, billed third, played the bemused supervisor of a movie studio's music department, and appeared in formal wear to conduct Chopin's "Fantasie Impromptu."

After almost 40 Hollywood pictures, Felix Bressart suddenly died of leukemia at the age of 57. His last film was My Friend Irma (1949), the movie version of a popular radio show. Bressart died during production, forcing the producers to finish the film with Hans Conried. In the final film, Conried speaks throughout, but Bressart is still seen in the long shots.

Description above from the Wikipedia article Felix Bressart, licensed under CC-BY-SA,full list of contributors on Wikipedia.    

From Wikipedia, the free encyclopedia. Felix Bressart (March 2, 1892 – March 17, 1949) was a German-American actor of stage and screen.

Felix Bressart (pronounced "BRESS-ert") was born in East Prussia, Germany (now part of Russia) and was already a very experienced stage actor when he had his film debut in 1928. He started off as a supporting actor, e.g. as the Bailiff in the box-office hit Die Drei von der Tankstelle (1930), but had soon established himself in leading roles of minor movies. After the Nazis seized power in 1933, Jewish-born Bressart had to leave Germany and continued his career in German-speaking movies in Austria, where Jewish artists were still relatively safe. After no fewer than 30 films in eight years, he emigrated to the United States.

One of Bressart's former European colleagues was Joe Pasternak, now a successful Hollywood producer. Bressart's first American film was Three Smart Girls Grow Up (1939), a vehicle for Universal Pictures' top attraction, Deanna Durbin. Pasternak also selected the reliable Bressart to perform in a screen test opposite Pasternak's newest discovery, Gloria Jean. The influential German community in Hollywood helped to establish Bressart in America, as his earliest American movies were directed by Ernst Lubitsch, Henry Koster, and Wilhelm Thiele (director of Die Drei von der Tankstelle).

Bressart scored a great success in Lubitsch's Ninotchka, produced at Metro-Goldwyn-Mayer. MGM signed Bressart to a studio contract in 1939. Most of his MGM work consisted of featured roles in major films like Edison, the Man.

He combined his mildly inflected East European accent with a soft-spoken delivery to create kindly, friendly characters, as in Lubitsch's To Be or Not to Be, in which he sensitively recites Shylock's famous "Hath not a Jew eyes?" speech from The Merchant of Venice. Lubitsch also directed Bressart to similar effect in The Shop Around the Corner.

Bressart soon became a popular character actor in films like Blossoms in the Dust (1941), The Seventh Cross (1944), and Without Love (1945). Perhaps his largest role was in RKO Radio Pictures' "B" musical comedy Ding Dong Williams, filmed in 1945. Bressart, billed third, played the bemused supervisor of a movie studio's music department, and appeared in formal wear to conduct Chopin's "Fantasie Impromptu."

After almost 40 Hollywood pictures, Felix Bressart suddenly died of leukemia at the age of 57. His last film was My Friend Irma (1949), the movie version of a popular radio show. Bressart died during production, forcing the producers to finish the film with Hans Conried. In the final film, Conried speaks throughout, but Bressart is still seen in the long shots.

Description above from the Wikipedia article Felix Bressart, licensed under CC-BY-SA,full list of contributors on Wikipedia.    

Interpretación

1949
1948
1948
1946
1946
1946
1946
1945
1945
1944
1944
1944
1944
1943
1943
1943
1942
1942
1942
1942
1941
1941
1941
1941
1940
1940
1940
1940
1940
1940
1940
1939
1939
1939
1939
1936
1935
1935
1935
1934
1934
1934
1933
1933
1932
1932
1932
1931
1931
1931
1931
1931
1931
1931
1930
1930
1930
1930
1930
1930
1930
1928

You need to be logged in to continue. Click here to login or here to sign up.

¿No encuentras una película o serie? Inicia sesión para crearla:

Global

s centrar la barra de búsqueda
p abrir menú de perfil
esc cierra una ventana abierta
? abrir la ventana de atajos del teclado

En las páginas multimedia

b retrocede (o a padre cuando sea aplicable)
e ir a la página de edición

En las páginas de temporada de televisión

(flecha derecha) ir a la temporada siguiente
(flecha izquierda) ir a la temporada anterior

En las páginas de episodio de televisión

(flecha derecha) ir al episodio siguiente
(flecha izquierda) ir al episodio anterior

En todas las páginas de imágenes

a abrir la ventana de añadir imagen

En todas las páginas de edición

t abrir la sección de traducción
ctrl+ s enviar formulario

En las páginas de discusión

n crear nueva discusión
w cambiar el estado de visualización
p cambiar público/privado
c cambiar cerrar/abrir
a abrir actividad
r responder a la discusión
l ir a la última respuesta
ctrl+ enter enviar tu mensaje
(flecha derecha) página siguiente
(flecha izquierda) página anterior

Configuraciones

¿Quieres puntuar o añadir este elemento a una lista?

Iniciar sesión